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Responsibility Incentives
3/9/06 21:51 - permalink - email - category: Idea

It's been an extremely busy week, with shifting plans and juggled priorities, the least of which has been sleep. Musical material is progressing nicely, but I am, at heart, a perfectionist. The first step is admitting you have a problem, so I've moved a few projects around, and bumped one which was a bit farther back in the queue to the high fire.

I'm polishing some of the custom audio plugins I use in my own productions. A suite of nine major effects, plus leaner, individual component versions, they all started life as Max/MSP patches. I've converted them to VSTs using Cycling 74's Pluggo technology. My original plan was to take the basic concepts I'd prototyped in Max and create honest VSTs and AUs , but on further consideration I realized the installed Pluggo base is both cross-platform and huge. Almost every musician I know uses Pluggo, so as an experiment I'm jumping straight from prototype to product.

Developing these as commercial audio plugins has led me, inevitably, to thoughts of software authorization and piracy management.

As a musician and free human, I hate copy protection. In draconian forms, it deprives me of reasonable actions to preserve my investment in software. As a fundamentally unnatural state of affairs, it's never transparent, a thorn in my side for OS updates and hardware changes.

As a business proposition, particularly in the audio industry, copy protection is the name of the game. Unless you're already a major player, you can't put out a product and expect to pay your bills without some form of copy protection.

I'm leaning toward a simple serial number for version one of the suite. It's easy to implement and the least intrusive. While it won't really prevent theft, it does provide some amount of attrition.

I also have a larger idea taking shape.

A lack of both understanding and responsibility on the part of the purchaser is the main enabler of piracy. The arrangement between software developer and end-user seems more like a mutually agreed upon relationship of responsible partners than producer/consumer. I ask software makers to create a tool I need, while I do as they ask by providing monetary support. If the relationship wears down, say over a series of particularly bug-laden software updates, poor support, unrealistic pricing or... ahem... the introduction of highly restrictive copy protection, at some point it will break.

In our current era of network everywhere, it's easy for applications on a desktop to talk to their creators' servers. I would never advocate the delivery of private information for marketing purposes, or even anything outside a simple serial number. The serial number is all we need.

A person who spreads their serial number around has behaved irresponsibly in the relationship with the creator of their application. As those unlicensed copies begin signaling across the Net, it would be easy to build a database of trust levels. Which customers have allowed their products to be bootlegged? How many times?

Customers who've proven they can't be trusted may not qualify for support, free updates or add-on packages. Upgrades to newer versions may cost more. Serious abusers can be cut off. A person who blew it by sharing out version one may redeem themselves by paying a slightly higher price for version two and keeping it to themselves. If you're responsible in the relationship, the price goes down. If you install it on five machines and that number stays static, it's obvious you're keeping it within your own sphere of use.

All this should be out in the open at time of purchase, in plain language, so end-users know exactly what is expected of them. Who ever reads all the way through the lawyer-speak of an EULA? The responsibility of the creator is to make the best software they possibly can. The responsibility of the user of this software is to honestly support the people who make these amazing tools for them.


Multi-Channel EQ
6/3/05 18:36 - permalink - email - category: Idea

I'm in the final mix/master stages of some of my recent audio work, and the lack of a certain tool has just struck me.

I'd like a plug-in EQ capable of displaying and manipulating frequency curves for multiple tracks simultaneously. While mixing I currently mouse back and forth between multiple EQ windows to change settings and mesh frequencies hundreds of times.

Imagine the ease of a plugin that would:

a) display EQ curves for multiple tracks in the same window, each in a different color

b) allow you to grab and manipulate those curves in visual relation to other curves

c) analyze incoming audio for each track and ghost up an original frequency overlay on demand

I may end up making this in Max/MSP then converting it to Pluggo, but if it already exists I would buy it right now. Is there something like this out there?


Contextual Link Queue
5/10/05 08:21 - permalink - email - category: Idea

When I'm cruising through email offline, I often come across links to various sites I'd like to check out. My usual routine is to select the URL, copy, paste into a note-making app like Tinderbox or Notes and perhaps add a small description to myself on the link. When I'm back on the Net I copy and paste from the note into my browser's address bar.

Here's an idea I feel would make an excellent system-wide addition to any OS: ctrl-click a URL (or right-click or whatever brings up contextual menus in your operating system) and choose "Queue Link." You'll get a pop-up with the URL and a text entry field to add a small note. Later, when you're reconnected, open up the Queued Links applet and roll through your saved list.

C'mon Apple... maybe in 10.5? Any enterprising shareware authors want to roll this up? I'll pay, I promise... I just don't have time to do it myself.


V(m)KB?
4/6/05 03:33 - permalink - email - category: Idea
Small cyclopean droid spraying virtual keyboard made of light from it's glowing red eye.

cc: VKB, Inc.

VKB has created an amazing, long-overdue and almost totally ignored virtual keyboard device. Using infrared detection it tracks your finger motion on a lightspray keyboard. Futuristic and sexy.

All is not lightsabers and gargleblasters, however. People using the device complain of hand stress from typing swiftly on an ungiving surface, at least until they learn to use softer strokes. Tracking has been reported to be poor unless the virtual keys are hit exactly, a difficult accomplishment without the feedback of a physically pressable button.

I think VKB is missing the money shot. The acceptance percentage in the consumer tech crowd is going to be much smaller than the acceptance in specialized niche markets which could truly benefit from this technology.

I'm a musician who lugs a portable studio everywhere. I currently abuse a small MIDI controller keyboard which barely squeezes into an already over-burdened backpack. I am in love with the idea of carrying a tiny, cyclopean drone like the VKB to spray two or three octaves of keys over my work surface of the moment.

I see the controller purists among you looking askance at this text right now, whispering things like "What about pressure sensitivity?" and "How about velocity?" The technology may already lend itself to velocity measurements, and if not, with development I feel certain speed of finger stroke could be measured. With the longer throw of musical keys it may also be easier to improve stroke recognition in the general keying areas.

All sorts of motion controllers may be possible. Imagine a single band of light functioning somewhat like a ribbon controller next to the keyboard, and assignable to any MIDI parameter you like, including those you would normally control with pressure. Imagine being able to switch back and forth from a few virtual octaves to a group of X/Y pad controllers (one for each finger!) to a bank of mixing faders.

This is all off point.

Portable. Let me say it again: less than 3" tall by 1" wide by 1" deep.

Portable.

I release all claims to this idea, VKB. It's all yours. There must be an enterprising OEM out there (Roland/Edirol, perhaps?) who would be interested in bringing a device like this to market.

I have one small request: when the first Virtual (MIDI) KeyBoards roll off the assembly line, send me one, will you?


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