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Don't stand in the shadow of my hammer.
Anti-Family Association
5/31/05 18:01 - permalink - email - category: Exorcism

Today the American Family Association launched a boycott of Ford Motor Company for Ford's support of the gay, lesbian, bisexual and transgender community. The AFA claims to represent family values in America, but is more aptly described as a Fundamentalist Christian version of the Klan. Instead of racial prejudice, they cry fire over anything other than heterosexual missionary position, whipping their legions into action by creating an aura of Christian persecution here in the States.

The AFA's site proudly announces their roll as "2,228,013 Members Strong and Growing!" Right next to this tagline is a smiling black and white image of Chairman Donald Wildmon's straight-out-of-the-50s head. While I find it almost unthinkable this roll number is not massively inflated, if their membership is even half this claim it's a sorrowful commentary on American intelligence.

The real blame for the world we live in and the decline of the "family" as defined by your ilk, Chairman Wildmon, goes to groups such as yours. Family, like love and the commitment a family is built upon, is not a concept with walls. Through the AFA's website and its countless boycott actions you create an atmosphere of division and xenophobia, us against them, godly versus unclean. If this is what "family values" are, I'll stick with my own open, liberal and inclusive variety.

You paint the world as a "homosexual agenda" bent on your extermination. It's not even half-true, at this point. Persecuted Christians? Please. Your boys are in office and doing everything they can to Christwash a world which doesn't want your particular brand of dogma. You have the eyes and pens of the media and what messages do you distribute far and wide? Exclusion and hate.

My emphasis must be on "at this point" in the above paragraph. The tide is turning and soon you will be washed out to sea. Some day you may have a moment of clarity, after years of bitterness over your failed dream of a strictly ordered, male dominated, conservative society... in that moment you will realize "I made this happen! By attempting to force my way of living on everyone around me, why, I caused them to hate me and the things I stand for! I made everyone miserable by telling them they were less than myself unless they did as I said! I pushed them away!"

Marriage, Chairman Wildmon, has already fallen. It won't matter what the laws say or what amount of bigotry you manage to get tacked on the United States Constitution. Marriage is already almost irrelevant to the American way of life, and will only become more so as you attempt to smash it into your small-minded definition. I would say current heterosexual divorce rates are an excellent indication of just how ridiculous your quest is. Your own flock of sheep divorce more frequently than both agnostics and atheists. Perhaps God doesn't ascribe to your homophobia and rules of subservience for women, after all.

Why don't you do what Christ would do, and spread some love instead?


Generative Sound
5/30/05 01:45 - permalink - email - category: SoundDesign

Jeffrey Radcliffe at Tinctoris is expressing dissatisfaction with the separation of music as incarnated in live performance and in its recorded form. Jeffrey's post prompted me to think about my own work, and just how much is left behind in the process of fabricating a track's final form.

What exactly is the separation? On the one hand, there's music as a living organism, created and expressed by semi-unpredictable players influenced by the context of their moment. On the other hand, there's recorded music as a static representation of the original, ever-shifting form, a single thin slice of the overall possibilities.

I'm convinced this gap is partially filled by the idea of generative music. In generative pieces, a composition is created without a strictly set outline, but within a set of defining parameters it uses to move and breathe. I realize this is not the same as a performance by flesh and blood musicians infusing their sounds with anger, joy, sorrow and love in a feedback loop with the audience, space and context of their lives on a nightly basis. It's similar, but only as an electronic microcosm of the larger work's domain. It's still only a slice, but a slice expanded in functional dimensions. Until real intelligence is available in our machines, allowing them to function as those mercurial human entities physically playing the instruments would, we're stuck with faking it.

Good results can be achieved using chaos equations and other algorithmic processes for randomness within a more defined framework. My own tool of choice is Max/MSP from Cycling '74 but there are others: AC Toolbox by Paul Berg, KOAN from SSEYO (a favorite of Brian Eno), MusicWonk/ArtWonk from Algorithmic Arts, Tangent by Paul Whalley. Ableton Live also has a rudimentary form of algorithmic composition available in its ability to play clips in a column based on various choices and randomization. There's a nice list of tools for algorithmic composition at algoNet.

I use algorithmic processes in the construction of my own music often. It would not be difficult to convert some of the frameworks I've created in Max/MSP to stand-alone apps. Perhaps there are some generative net releases in my future.


Ceckj - 8 Tracks To Fulfill Your Post-Wishes
5/29/05 01:29 - permalink - email - category: Listen
Ceckj cloud bear flying over 8 tracks to fulfill your post-wishes.

This is madness, surely, but of a most beautiful kind. What's harsh doesn't hold back, but flowing beneath, around and through is processed beautiful of all varieties. There's rhythm, but no beats. There's melody, but no obvious structural plays. There's noise that has become music and music made of noise.

8 Tracks To Fulfill Your Post-Wishes, by Maxim Shubski recording as Ceckj is a brilliant work of DSP art. From the skipped record transformed by inter-dimensional radio of the opener, Expocos Free. Fr. to the finale of Seasummer, all mario blips carrying Hollywood movie strings and organ from the 50s through your mind, there's nothing but brain-exploding goodness between.

The ultra-slowed grit of Teddy, Your Honey molasses its way into coursing, crushed static subdued by clean clear bells in The Dirty Sun Is Gone And I Shall Never Kiss Your Filthy Lips Again. Swarming cuts edit out a masterpiece of a thousand clicks in Nigel Said It Was Monumental, I Really Hope It Is. Stars, A Tale And A Hug For Me takes you into the cross-modulated world between telephone wires and superstrings while casino meets astral circus in Corn Flakes by "Fruyth Co. Baby Foam."

This is Ceckj's debut CD, and is currently only available in hand-burned limited edition, so check with Maxim quickly if you want in on it. Someone should really pick this up and make it more widely available to the experimental music community around the globe.


Singularity Studies Reader
5/28/05 23:14 - permalink - email - category: Futurism

Livejournaler Ankh_f_n_khonsu posted a superb 40 title Singularity Studies Reader to the LJ Transhumanist community a short while ago, with direct Amazon links as icing. While I've read many of these, some are new to me... it's tome hunting time.

A multitude of favorites on khonsu's list: Kurzweil's Age Of Spiritual Machines, Hawkins' On Intelligence, Gershenfeld's When Things Start To Think, Paul's & Cox' Beyond Humanity...


Oblique To The Side Of The Head
5/26/05 20:19 - permalink - email - category: Gear

When I am pushing against the boulder which separates me from my goals, and it's having a good laugh by sitting there weighing several immovable tons, I turn to random influence. Chaos and I are old friends and frequent collaborators.

Here's the pair of tools for divine generation I use most often.

An old-school favorite of creative unstuckers, Oblique Strategies by Brian Eno and Peter Schmidt is with me in three forms: a hand-made set of cards from the mists of yesteryear, a version I patched up as part of my Max/MSP/Jitter control panel, and the nicely implemented software from CurvedSpace which lives in my dock.

It's not only used for song-writing decisions, either. Bare minutes ago it solved a particularly vexing decision over how to structure my life to realize some larger creative goals:

Oblique Strategy - Look at the order in which you do things.

The above says it all for my trouble of the moment.

I'm in the midst of several projects, so my copy of Tiger is still in the shrink. If someone doesn't create an Oblique Strategies widget by the time I'm ready to upgrade, I might have to make it myself. Oblique Strategies, if followed either literally or metaphorically, always yield good results.

Roger von Oech's Creative Whack Pack... a whack to the side of your head!

The other half of my kick-start pair is Roger von Oech's Creative Whack Pack. I've been using von Oech's masterpiece since the early 90s and it has brought me no end of delight and inspiration. Similar in design to the Strategies, this set of cards gives you an instructional missive such as Slay A Dragon, Exaggerate or Focus On The Real Truth, then follows up with a small story to provide a contextual guide for you to work on your own problem.

Somewhere in my ToDo database is the conversion of these cards to software, but for now Roger von Oech's website CreativeThink will give you a random card from the Whack Pack. Just refresh the page for another one.

Some people call it cheating, I call it working with the universe as another aspect of my own mind. As without, so within, which then leaves home to stand on its own as the new without... and the cycle repeats. Like Tarot and I Ching, utilizing random processes with these tools to aid in making creative decisions is just another way of holding a conversation with oneself.


Real Time Reversal
5/25/05 13:40 - permalink - email - category: Atmos

Remnant techs had placed her bones here one year ago to this day. I'd been here: watching, thinking... beginning. Small, black boxes at each end of the space defined the poles of the field. One whole year ago I'd been given the honor of laying my finger on their start pads.

Peering at the chalky skeleton today... I could discern no visible difference, though the stat readout hovering in the air beside told a different story.

Inside the reversion field, physical functions were flipped. Lost atoms were being sucked in from the exterior world; decay was rebinding, bones and bodily structures rising from dust and nothingness. Skin would crawl across the form, eventually, from dried husk to putrid, blackened goo to pale tissue to just the other side of living and breathing.

The reversion field would be downed and the Remnant, no longer simple remains, would be revived. Medical technicians would step in to instantly fix the Reaper's handiwork. A life, once, once again.

I was thirty-three in 2001. Prosperous, in love, alive. While the technicians tell me I'd been party to vehicular accident, I don't remember dying from it. I don't remember dying at all.

I'd been excavated six hundred years after my death. After sitting a few years in various academic analysis morgues I'd been placed into a field for the slow reversal of entropy to take place. There's the catch: the field works in real time. If you've been dead for six hundred years, it takes six hundred years to return your body to functional state.

Inside the reversion field in front of me are the remains of my beloved. She was pissed at me the last time we were alive, and while arguing I apparently hadn't seen the semi barreling down on us. Counseling is available to help me through the next thirteen centuries, but for the moment I'm content just being by her side.


Of Humans, By Humans, For Humans
5/24/05 17:22 - permalink - email - category: Science

I recently came across Biojewellery: Designing Rings with Bioengineered Bone Tissue, a project with the stated aim of creating "a debate about tissue engineering."

From the website:

"Biojewellery is a collaborative project involving Tobie Kerridge and Nikki Stott, design researchers at the Royal College of Art, and Ian Thompson, a bioengineer at Kings College London, its aim is to bring the medical and technical processes of bioengineering out of the lab and into the public arena."

They're currently working with donor couples contributing bone tissue. The tissue will be cultured and grown on bioactive scaffolding to create raw rings. The rings, after finishing, will be worn by the couples.

I'm one of those technologists looking forward to the Singularity, granted, but what better symbol of union with your beloved than a ring made from their very substance? With Neoconservatives and the Religious Wrong tromping all over self-determination and humanism, projects such as Biojewellery, designing and working with the fabric of our bodies in an immediate and understandable fashion, are exactly what we need.

I'll be following the Biojewellery diary at the site. I'm betting these folks set a new trend in modern fashion.


Jeffrey Radcliffe - Travelog
5/22/05 02:39 - permalink - email - category: Listen
Travelog, flying overhead.

In the liner notes for Travelog, Jeffrey Radcliffe defines his approach to creating music as "describing a place, or even just the feel of a place." This CD is truly a compendium of wondrous locations, wayfaring between border defining realms of IDM and ambient to nouveau classical and soundtrack. Clear chimes between plucked glass and tapped piano with lush, sweeping strings over synthetic drums and rasps create places individually unique yet collectively shared. Listening with headphones is rewarded: this is music to write to.

Whither kicks it off with tick-tock percussion building a rhythmic foundation for the entire collection. Dream Flight of Atalanta is filled with hope and homecoming and a joyous dawn, moving beautifully into the minimal repetitions of Transalpine. Roto whirls you into orbit with staccato melodies rushing and lifting your ears, dropping you into the washed terrain of Landscape, where warm ocean is somewhere close enough to slip right into and float all day. Ocean comes to wooded shore in the Evening Song, pre-feast in a sylvan setting with mead and maidens. You Are An seems to be missing a descriptive word, but the quest for definition is aimed inwards, not out. This track has been on repeat while I write this recommendation. Et Tu and Cisalpine form a labyrinthine duo of pitched percussion, warped bass and vibrato tones with the Goblin King leading the dance. Twisty Passages All Alike finds our hero with torch in hand, making passage through the underground, likely to be eaten by a grue. Lament closes the album with a funeral boat carrying a slain warrior to the falls.

Radcliffe makes his music available for download at Tinctoris, his weblog. There are many excellent additional tracks to listen to. Be sure to check out one of my favorites, Binary Clock 01, made with a Max/MSP patch counting through an hour of binary representation in exactly fifteen minutes.

If you like what you hear, buy Radcliffe's sonic journey through CD Baby. Become a patron, support the arts and a cool musician: go get one, throw a candle-lit dinner party and play it for everyone.


False Prophets
5/21/05 14:04 - permalink - email - category: Exorcism

I commute via ferry between the North Bay and the San Francisco financial district on a regular basis. Often, I am greeted at either end by hellfire and damnation preachers swinging booklets with an image of Jesus and screaming at departing passengers to "believe on The Lord Jesus Christ and you will be saved!" Aside from the flecks of spittle I occasionally garner from these encounters, it's usually left behind in a block or two of distance.

Of late, the vitriol spewing from a particular damnation monger (aligned with a church group here named Jesus Christ Government) has ramped up. He came at me late last night as I exited the pier and the following conversation took place:

PREACHERMAN (bellowing): You must believe to be saved! (swings bible wildly)

VLAD (wearily): Listen... it's a fairy tale.

The preacherman is stunned. No-one ever calls him on this, everyone just walks placidly by with an occasional encouraging shout of "Hallelujah!" or "Speak!" from regular church-goers. But after a moment of silence, as I walk away, he finds his voice.

PREACHERMAN (yelling, indignant and wrathful): The Lord rebukes you!

Watching the United States teeter on the brink of theocracy, a condition which has emboldened piss-ant voices of god like the fellow above, I feel compelled by duty to speak up. It's wrong to walk on by and shrug my shoulders. Complacency allowed these ideas to take hold and weave their fingers into our government. Continued complacency will see a roll back to a society of barefoot women and scarlet letters. A stupid idea is still a stupid idea, even if we call it religion.

So here's an open suggestion to preachermen everywhere, both small and great. This is not about atheism versus agnosticism versus belief, it's about honesty and walking the walk:

I realize you have a positive goal in mind when you scream dogma at the top of your lungs about morality or belief, when you attempt to scare people into submission by invoking the wrath of god and when you try to remake a free nation into a fundamentalist Christian hierarchy. I know you're in service to what you yourself think is a positive end.

However, all you accomplish by behaving in this holier-than-thou fashion is to annoy the masses. We're not interested in something we can't touch/taste/see/hear/smell. You're not doing the Lord's work when you behave like this. As most of us either shut you out or will soon start swinging back, you're actually undoing it.

If you really want to work for The Big Man and bring some of the rest of us along with you, try doing the work. Instead of quoting verse and screaming at me to believe, go feed some hungry children. Shelter some homeless folks. Volunteer to care for the elderly. Clean up random trash in your neighborhood. Plant some trees. Donate time to an adult education center or your local Humane Society. This is what Christ would do: care for those in need.

Actions make things happen, and simply believing is not an action. If you take honest action, you'll give the rest of us something we can touch/taste/see/hear/smell to believe in.


Profitable
5/20/05 21:58 - permalink - email - category: Politics

This afternoon I watched my friend Lee Meisner graduate from the University of California at Berkeley, walking the stage at the Greek Theatre to obtain his BA in Political Science. He's on to bigger aims now: a degree in law then taking on criminals. Next year it will be my partner Ania pirouetting across the stage, then she, too, will be chasing a degree in the legal arena.

These are two of the smartest people I know. They're people who define goals then think outside the borders and create new methods to accomplish those goals. They have the ability to adapt and create frameworks for their endeavors. They're thinkers and definers, movers and shakers.

I'm not saying higher education is the only factor involved in the making of a mover and a shaker, but for every college educated person I know there are dozens more in my life who do not have the same capabilities for contribution to our society. Many of them don't even operate on that level, as if by contributing to society you take away from yourself.

How did America's education sink to it's current pitiful level? In California, the world's fifth largest economy, only 71% of students graduate, with rates below 60% for minorities. College tuition, already priced out of range for the majority, continues to rise at a rate much higher than inflation. Anti-intellectualism has found a leader and renewed vigor in attacking science and technology and it's not shameful but a position of strength to say "I don't read the news."

The answer is simple: lack of funding. An educated populace would not let this state of affairs come to pass. For fiscal 2006 the US budget is 2.57 trillion dollars. 419.3 billion of that goes to defense, and a mere 56 billion to education. For the "world's only superpower" this ratio is the most foolish choice imaginable. It's short term spending rather than investing for the future, and leads to the condition we're already seeing: stratification of society into those who can afford quality education and those who cannot. The smart and wealthy versus the ignorant and poor. All you need to do is look to history to see where that social condition leads. Of course, you may not have learned any history if you went to high school in the United States.

Capitalist society is predicated upon endless expansion and maximizing profit from effort. Wouldn't it make more sense to maximize on the supply side, in this case brainpower and available sources of ideas to capitalize on, than to short future earnings and innovation by starving the pool? If America is truly committed to a free and democratic society, doesn't it make sense to fund and develop the best infrastructure possible for living as a free and democratic populace? Wouldn't well-educated people function more efficiently as a democracy? Wouldn't highly capable, intelligent people make better capitalists?

The Civil Rights Project at Harvard University says it well in its report on dropout rates in California:

"The state loses billions of dollars in revenue each year because high school dropouts are ill prepared to join the work force, leading to higher unemployment and underemployment rates. Professor Russell Rumberger of U.C. Santa Barbara calculated that just one year of high school dropouts costs the state $14 billion in lost wages."

The future belongs to those of us who can think.


Pirate Video
5/18/05 11:45 - permalink - email - category: MaxMSPJitter

Final mixing can be an intense process. For brain breaks while maintaining clinical attitude and creative levels, I occasionally switch into Max/MSP/Jitter and work on my current obsession in that domain: developing an app called Pirate Video for the creation of live atmosphere. I'm connecting control ranged by MIDI and frequency input now, to guide the algorithmic and chaos formulae.

Still 1 from Pirate Video.

The goal of Pirate Video is processing live video feeds from audience and stage, point of focus and effect parameters determined by the songs being played. At present I have a nice mix of generative and processing, with limited control.

Still 2 from Pirate Video.

The stills above can't convey the pure hypnosis of these patterns in motion. It's amazing how swiftly complexity can be built from basic forms and a little recombinant math.


Tinderbox 2.4.1
5/17/05 13:15 - permalink - email - category: Tinderbox

I upgraded to Tinderbox 2.4.1 today and can definitely feel the speed boost. I use my main WIP Tinderbox file as an expansion brain for storing, planning and making sense of everything. It contains thousands of notes and legions of hard-working agents and rules, with more flowing in all the time.

Everything is zippier now.

My brain just got faster.


Gonzo Crossing
5/15/05 21:55 - permalink - email - category: Locate

In the North Bay, Route 37 stretches across the upper reach between Vallejo and San Rafael. It curves across wetlands and pastures, several bridges arching over places distinctly nowhere. The entire drive feels more like rolling through Oddworld than Northern California: strange birds of many species wheel through the air, the vegetation itself seems aware of your presence, the sky is a perpetual race of clouds.

On a signpost at a small turn-off in the middle of this beautiful expanse of wild emptiness can be found a hand-painted traffic sign:

Gonzo lives here.

I've always wondered where Gonzo lives. Now I know.


Fascist Patterns, Part 2
5/14/05 14:07 - permalink - email - category: Politics

Steven Livingstone at Requiem picked up on my recent entry regarding The New Fascism and ran with it. On our level of awareness, he raises some excellent points. I'm concerned with the larger pattern of existence and action, so I'm going to attempt to rephrase and clarify my original ideas.

As the sciences progress and "hidden in open view" secrets of our universe are uncovered, we're seeing pattern-based construction everywhere. Everything, it seems, is grown from basic patterns in a simplicity to complexity scheme which should make Intelligent Design proponents and other creationist brands green with envy if they could look past their holy scratch. It's so elegant, so no-maintenance, so right, it makes everything else look like thrashing about in the dark.

We are fundamentally a physical system. Our thoughts are grown from patterns in physical substrate. Thoughts are physical things, not some ephemera floating through your skull. As physical patterns, thoughts follow the same simplicity to complexity rules of all systems here. Moving up from thoughts to minds to cities to nations to entities larger than nations, we find structures created by the smaller patterns beneath them in the hierarchy: multi-national corporations, media conglomerates, big government.

Knowing that we ourselves are collections of smaller patterns giving rise to intelligence, I see the larger sphere of multi-nationals as similar constructions. What is the purpose of a living pattern? To go on. Corporate entities, just as people, cats, science and religion, exist to continue existing.

Like all other patterns, they are perhaps not aware of the doings of their constituent parts, nor what havoc actions on their level may wreak upon those constituent parts. An executive makes a decision based on the needs of the pattern: upward stock growth, profits. It's what an executive pattern does in the system. The larger entity destroys the livelihood of those who would, in 20 years, be potential new bodily fabric. The juggernaut of Big Oil perpetuates itself across the globe, but in so doing destroys the very support structure in which it lives.

According to Jeff Hawkins, the brain is a tiered pattern processor. Stimuli comes in and is sent up the chain until some part of the hierarchy recognizes it. It's then referred for action based on what it's identified as. An expert is someone who has managed to store a pattern at lower levels in the hierarchy. In an expert, stimuli is recognized and acted upon without referring up to the big guns in the tower of abstraction.

We can think of the system of our world in the same way. Beyond the multinational corporations is the larger pattern of the world itself. Our task is to learn the patterns now stored and referred for action by the multi-national level on our more immediate layer of individual behavior. On the levels Steven is speaking to, awareness of ourselves as a substrate for pattern is the first major step. We must become experts in the ways of pattern, of life, of interdependency, of simplicity to complexity. The feedback lines are in place: we can see and understand what's going on in the layers above and below. If we don't change the way patterns of need are interpreted and action is created, the world itself will change in an action based on the pattern playing out in its body.

Just as we individually destroy or move away from what we believe conflicts with our well-being, destruction on the world's scale of action is merely a means of balancing itself and permitting its pattern, the overlapping rise and fall and rise of life, to continue.


Related: The New Fascism, Jeff Hawkins - On Intelligence


Testing The Membrane
5/13/05 00:31 - permalink - email - category: Futurism

In Mediated I wrote about speaking with my grandfather on his new CapTel captioned telephone, and the array of ideas which crossed my mind.

Several more conversations have been had since and we've started playing small games of cat and mouse with the captioners. My first indication they would break the veil of invisible participant was in their method of handling misspellings of uncommon names. When unsure of a name's spelling, many captioners fall back on general chat etiquette and place a "(sp?)" after the potentially mangled name. Once we've spelt the name for our silent typist it's then correctly captioned for the rest of the conversation.

In an effort to utilize this thin edge of the wedge, we've started discussing some of the questions I raised in my original post, slipping them into the minds of our captioners. Sometimes we address the captioner directly and wait for a response. The pause gives the captioner time to think about what they would say, if they could. When no response appears, we move on as if nothing unusual has happened.

Captioners would seem to be in a unique observatory position, getting a daily shift's worth of American conversation, randomly sliced. What do they hear? How will it change them? How will they act on it? Will they break the barrier and put their experience into the public realm? Write a book? Go on talk shows to explain what they've come to realize about people and politics and life in general? Create a weblog and write about it? We speculate regularly on these ideas while conversing, knowing they are listening.

Regularly listening in on the lives of Americans, at some point the overwhelming realization must occur that even in our diversity of views and situations we are fundamentally the same.


Related: Mediated


Rhythm Mouth
5/11/05 14:41 - permalink - email - category: Creation

After the ticky doings of Explode/Implode comes something much more fun. The process I call Rhythm Mouth is the fastest, most intuitive way I've found to add fills, flourishes and percolation to static beat tracks when working almost exclusively in the realm of digital edits.

I use an inexpensive Plantronics USB mic/headset combo and let the track I'm working on run while I literally mouth bits and pieces of rhythm and record it to a new take.

Ableton Live screenshot showing Rhythm Mouth process in action.

While processed vocal rhythms can sound incredibly strange, especially when layered with more regular percussion, the new "mouth" track is mainly a guide for aligning existing drum sounds. Rather than try to capture ideas two or three steps beyond the generating machine in my head, I'm cutting out as many middlemen as possible. Brain to tongue to audio, the question becomes "Which existing rhythm sound should I replace these mouth parts with, to best perform these fill patterns?" Since the tracks of musician-speak are not meant for actual production, I can use this process anywhere without worrying about sound quality.

Bonus: the looks on faces as people pass while I'm beat-boxing into my laptop.


Related: Explode/Implode, Make Sense, Event Horizon(tal)


Contextual Link Queue
5/10/05 08:21 - permalink - email - category: Idea

When I'm cruising through email offline, I often come across links to various sites I'd like to check out. My usual routine is to select the URL, copy, paste into a note-making app like Tinderbox or Notes and perhaps add a small description to myself on the link. When I'm back on the Net I copy and paste from the note into my browser's address bar.

Here's an idea I feel would make an excellent system-wide addition to any OS: ctrl-click a URL (or right-click or whatever brings up contextual menus in your operating system) and choose "Queue Link." You'll get a pop-up with the URL and a text entry field to add a small note. Later, when you're reconnected, open up the Queued Links applet and roll through your saved list.

C'mon Apple... maybe in 10.5? Any enterprising shareware authors want to roll this up? I'll pay, I promise... I just don't have time to do it myself.


Tinderbox Pipeline
5/9/05 00:22 - permalink - email - category: Tinderbox

One of the very best aspects of using Tinderbox to weblog is a function of its operation as a stand-alone program. When nomadic, as I was this weekend, I can create weblog entries anywhere at any time, export them as HTML to a local directory and check its appearance in the browser. I can write them over the course of hours and days between other work. I can adjust and nudge and add content as it occurs to me or as it shows up of its own accord.

Once I'm back on the net it's a simple task to synchronize webhost with local directory et voila! instant updates.


The New Fascism
5/8/05 15:31 - permalink - email - category: Politics

There's a sense here in the States our "machine is out of control." This is an expression of the powerlessness people feel in their everyday lives, their belief individual actions have minimal to no impact on the gears which spin the world.

Friday night was an hour of the witch conversation between myself, ioerror, buckminster and mattbot. Roaming between endless geekery, one of the many topics was the New Fascism.

This is not your forebears' fascism. We're dealing with something different here. It's not jackbooted thugs bringing down the fist and it's not simply about men in control manipulating laws and society to their advantage. There's some of this, certainly, but the system itself seems to be rigged to support action that's not in the interest of human beings.

Yesterday I reviewed Jeff Hawkins' excellent On Intelligence, speculating we're entering an Age of Pattern, an ultimate mechanist wave which will reconfigure our understanding of everything. I think what we're seeing in the New Fascism is an expression of this. Welding capitalism to democracy, we've evolved a system which has given life to corporate entities much larger and more powerful than humanity. One human being is simply a signaling mechanism. Our behaviors, like those of the individual ants in a colony, are small sparks traveling the structures which create a larger pattern. We feel like cogs because, viewed in this context, we are.

The New Fascism is the system itself.

Is it self-aware? I don't know. The same way we cannot directly communicate with the individual neural structures of which we're made, it's unlikely to be able to communicate with us.

Try not paying your taxes, even though you don't support what they buy. Try not obeying a law you find unjust. Try not towing the line in any of our deeply entrenched social conventions. Try to find logic on your scale and compare it to what seems to make the system run.

When we individually move to change in a fashion against its interests it attempts to move us back to plan or cut us as a loss. When we operate as a group, as parts of the brain must to identify and learn a new pattern, we can make the change stick.


Jeff Hawkins - On Intelligence
5/7/05 17:54 - permalink - email - category: Read
On Intelligence, blue blue blue book cover.

Hawkins, the man who brought us the Palm Pilot, now brings us the brain. The way he serves it up here may as well have it on a silver platter. On Intelligence is written for the layperson, but contains all the information you need to make the theory go.

When you look at the great discoveries of humanity, those wonders which have transformed society and self have been the product of simple yet non-obvious schemes. The brain is like that. Hawkins led me through how my own nugget works, and as he did the "Ah HA!" moments just kept pouring out. The first pass through this book I read one chapter per night to let my own brain work on it while I slept. I'm convinced Hawkins is going to set off more than a scientific revolution here.

A nutshell explanation: Hawkins describes the neocortex as a series of tiered pattern processors. At base levels individual neurons fire in response to stimuli and their cumulative effects are considered by the next layer up. The process repeats in layers of defining and converging branches to abstracted meaning. Likewise, in the reverse process abstracted concept diverges into granular specificity and motor action. I've been toying with the basic ideas presented in the book via Max/MSP/Jitter, and the results are intriguing. Primitive implementations actually respond as you would expect based on Hawkins' descriptions. I'll be looking for ways to sit more refined versions of my patches in the creative flow. Finally, "playing with my machines" may come to mean more direct collaboration.

Based on my own successful experiments, the nature of the neocortex has profound implications for just about everything. Will this be the dawning of the Age of Pattern? Perhaps the trouble all along has been one of definition and conceptual boundaries. Once you know what to look for, intelligent processes seem to be all around us. So far, I've been unable to find intelligent activity I'm unable to explain using Hawkins' concepts. If intelligence is simply about the recognition, storage and prediction of patterns... won't it be amazing if persistence of state and upward scaling is all it takes to make a conscious being?


Explode/Implode
5/6/05 15:31 - permalink - email - category: Creation

Part of Make Sense is Explode/Implode. Basic sense has been made of the composition's physical structure, so it's time to re-work the data for the purpose of a mix. Looped or composite audio must be sliced and split off to discrete tracks.

Once individual drums are stackable by type, it becomes much easier to spot rhythmic relationships and redundancies. Sonic layering is preserved while maximizing creative flexibility. Two kick drums can be fused in the stereo field's center, alternately dropped out, panned rapidly off to each side, individually compressed or rhythmically altered without affecting their companion snares from the original two track recording. Submixing by like type allows all to be treated at once.

Portion of a non-messy Ableton Live screenshot.

Except in cases of very minimal compositions, I tend to work with the drums as a break out session. Only rhythm and bass tracks are present in the file, and perhaps a guide bounce of everything else. This is easier on processor and quicker on saves. Ultimately I drop the drums back to stereo files, either as a whole or by category (all kicks, all snares, all hats, all things going whirr) and re-insert them in the main working file.


Related: Make Sense, Event Horizon(tal)


Day Of Reason
5/5/05 00:01 - permalink - email - category: Incantation

Wishing everyone an amazing day of exercising your birthright: use of the logical faculty residing between your ears.

Have a wonderful Day Of Reason! This is an American holiday, but as the state of reason in the US has potential consequences for all of us, I believe worldwide participation is a must.

And it's Cinco de Mayo to boot! To properly honor freedom and liberty, give some think-time to logically planning your revelry. Serious and well-crafted debauchery requires mental effort, so today is the perfect fit.


Gematria Function
5/4/05 15:50 - permalink - email - category: Exorcism

Oxyrhynchus is bearing strange fruit already. A fourth century fragment of the Book of Revelation adds yet more historical weight to mistranslation: the Beast's number is really chi, iota, stigma... 616.

The Nonist has a small round-up. Further explanations of Gematria can be found on the site above or in excellent detail at Laputan Logic, which also makes the interesting observation of Gematria as a basic hash function.

I've long been interested in language and communication as operative forces. It is with awe I chase down ramifications of this information. The Number of the Beast is a basic datum modern Christian fundamentalists of all varieties build their operations on. This single number has led to social movements, philosophies, counter-religions and modified systems of counting and assignment.

And it's the wrong number.

If a single small mistake in translation can change so much over history, what of the mistakes which are not simply numerical? What of entire passages of Christ's words which have been misconstrued and misused? What of the original intentions of those scrolls' multiple authors, kinked and twisted through the filtering and coloring transforms of time and tongues?

Is the ability of humanity to operate on unverified and ambiguous data at the root of our dominance? It may be, but doesn't seem to scale well past the structure of hunter-gatherer societies.


Make Sense
5/3/05 23:27 - permalink - email - category: Creation

Chris had his way with it last week and .Mac'd it over, so today I began work in earnest on the first track of the EP. Working title for this piece: Rotate. I'm roughly documenting the creation process of this recording, fine-tuning it afterwards for a complete HowTo.

I've marked out a basic plan for work on each track once Chris hands it off. Step One: Make Sense. These tracks have floated back and forth for months between our laptops and studios, meaning the accumulated cruft and grit around the edges of the Live files really shows. As I'm mixing and mastering after my surgical work on the pieces, I can blend the writing/finishing stages from go. Make Sense is all about organizing, naming and routing the various parts of the composition, taking into account both continued writing/creation and the needs of a mix/master session at the end. Track collapsing, effects ganging, aux grouping and, as you can see by the screenshot, renaming for clarity is in order. Make Sense is about definition.

Portion of a messy Ableton Live screenshot.

The roughs have been created through accretion. The polished tracks will be born of subtraction.


Related: Event Horizon(tal)


2Second(badges)
5/2/05 14:35 - permalink - email - category: 2Secondfuse

Scott Price at (hyper)textuality.org recently emailed inquiring about the badges on 2Second(fuse). I've zipped up the photoshop layer files of all seven for easy downloading if anyone would like to use them: 2Secondfuse_badges.zip. The layer files will allow easy customization for your site's color scheme. Please pass them along to others who might like them.

Credit where credit's due: The individual logos are all shrunken versions from their owners' sites. Some unsung pixel hero implemented each of them, so a moment of silent honor as you place them on your weblog might be in order.

The Tinderbox badge is a shortened version of the original created by Adam Feuer. His popping out of the box design was my inspiration for all the rest.

FiveAngle is my friend Dave Johnson's hosting company. They're inexpensive, include all the bells and whistles, and Dave's a super-helpful and friendly guy. If you're looking for a webhost, check them out.

And thanks to Scott Price for giving me the nudge to do this. Scott also wins the award for best ever visual play on the term "blogosphere."


A World Of World Cities
5/1/05 21:17 - permalink - email - category: Futurism

Stewart Brand of The Long Now Foundation is talking about continued urbanization (via Tim O'Reilly at O'Reilly Radar), and the impact of cities on everything from birth rates to environment.

While I enjoy the remote and isolated, I am a city dweller, tried and true. I'm not fond of suburbia or "the country life," except in short, focused doses. Brand's report above has prompted me to think about just why I love cities so much.

  • Cities change. If there's one thing I've truly embraced in life, change describes it. Being contextualized by that which is fluid and dynamic makes me fluid and dynamic in response. I'm not separate from the system of chaos, I am integral to the design.
  • Cities are complex. Living in a large city is an ongoing conversation with someone new every day. The city is so much larger than you, with so many thoughts and patterns at angles with each other, you never know what will come out of its mouth. Odds are good I can turn a street corner in any district of San Francisco and find myself in a situation I've never seen or thought about before. This doesn't happen nearly as often in suburbia.
  • Cities enjoy economy of scale. When you look for the edge of culture or the future of technology, cities across the world are where these are found. On the individual scale, I can enjoy authentic Vietnamese cuisine one night, Italian the next and wrap it up with fine Thai and Russian food for the weekend. And I can bicycle or walk to all of them.
  • Cities are where solutions come from. The three factors above create a place where many brains move and grow with each other. New people continually add to the mixture, bringing new ideas and methods to the table. The big conversation takes unexpected turns in completely different languages from one moment to the next.

We're all here to be with each other, and, like weblogs, this is what cities are for.


Related: World Cities


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