![]() |
|||||||||||||||||
| Weblog |
|
||||||||||||||||
|
Thankful Green Tea 11/29/05 22:38 - permalink - email - category: Knowledge Thanksgiving night, driving home after seeing the excellent Johnny Cash bio "Walk The Line," my body turned on me. I'd been a bit dizzy after the movie, but chalked it up to jumping from my seat too swiftly. The dizziness increased, turning to tunnel vision. My lungs seemed to lose their ability to take in air and my heart began pounding hard enough to bruise the inside of my ribcage. Ania quickly pulled the car to curb and I jumped from the seat to get flat on the wet sidewalk. It was so cold my skin was steaming, and all I could see was a small fuzzy circle of the dark sky and Ania's worried face as she dialed 911 and held my hand. It wasn't the oft-described "elephant standing on your chest," but it felt so much as if my heart was going to explode I was certain it was a heart-attack. Am I dying? Is this really all the life I get? An ambulance ride, many hours in a strangely quiet Sutter-Solano emergency room with ECGs, staggered blood tests, chest x-rays... and the verdict was I'll live. No damaging cardiac event took place, no heart attack, no sign of anything out of the ordinary. Diagnosis: benign heart palpitations, confirmed by my regular physician today. Culprit: excessive caffeine intake. If that was benign, I certainly never want to experience malignant. My one vice is green tea. No smoking, no drinking, no drugging, no meat-eating... hell, not even coffee. I quit that over a year ago. Just green tea. I have now learned the hard way all chemical dependencies will get you. Now I am truly without vice. Distributed Conversation 11/27/05 13:17 - permalink - email - category: 2Secondfuse By design, this weblog has no comments. I mulled this over extensively before conclusively deciding against. This post will tell you why. Thomas Crampton recently guest-posted Deconstructing Bloggers on joi.ito.com, categorizing the types of weblogs commonly seen. In the comments to Thomas' post, professional commenter-without-a-weblog Noel Guinane disparagingly opined: "Blogs that don't allow comments are not really blogs in my opinion. They're Spews; the people running them are spewing forth their opinion with no interest in hearing what anyone else has to say." Weblogs are about identity, not ego. Ego and identity are linked, but identity is the core set of information that defines you when the world looks at your record. Ego is the gratification you feel while basking in the world's gaze. To decry weblogs without comments as one-way founts of ego is to miss the point of the web. The web is inherently omni-directional. Anyone may link to anything, in any context. If you want the instant ego-gratification of seeing your words on the screen amidst the babble of multiple others, what you want is a forum. That's what a forum is for, and why most have moderators and rules for civil posting. A weblog is about the views of a specific person or group, which anyone may disagree with, and even make that disagreement public by posting their thoughts about it on their own weblog and linking back to the original. In-blog comment threads are minimal, site-specific, inbred versions of what the entire blogosphere should be. To argue for them as necessary for true blogging is to argue for a dumbed-down web. Some time ago, Mark Bernstein posted a short essay on why comments are not good for weblogs, the gist of which is "Weblog comments incite duels. Duels are bad for society. We should all forego comments and return to carefully blogging responses." Building on Mark's ideas, here are reasons why conversations spanning weblogs are the way to go, trumping the strengths of in-blog comment threads at every turn. The idea goes farther - Inter-blog conversation is far more distributed than the mindspace occupied by comments in a single post of a single weblog. In-blog comments, if read at all, are generally read by the same cheerleading/flamebaiting crew who post in them. Inter-blog conversations, on the other hand, spread the idea far and wide to the readers of each weblog participating in the discussion, linking back and forth to each other as the topic progresses. Anyone is free to jump in and add to the discourse on their own blog. Home-turf writing is well-wrought writing - Because your weblog is your identity, ideas you publish in its context are of higher quality than those spun off-the-cuff in the tiny confines of a comment in someone else's weblog. A top-level response post is much closer to the quality of an editorial or "letter to the editor" than the public masturbation and cock-waving found as comment threads degrade. You do your best because your identity is riding on every post. Top-level posts keep the conversation in view - For those few of you carefully laboring over comments, remember as the owner of the weblog posts fresh material, the older post containing your carefully crafted statement of dissent or agreement scrolls off the index page and into the archives. If you comment in a swiftly updated weblog, your comment's eye time is proportional. A conversation carried on across top-level posts of numerous weblogs over many days will last much longer, progress much farther, be seen by many more eyes than the pitiful stretch given to buried comments. Top-level posts cannot be censored - If you comment in the weblog of someone who is not interested in your side of the debate for any reason, you may find your opinion deleted. This can't happen if you post it to your own weblog. Top-level posts have no added noise - An idea's terrain cannot be explored efficiently in comments. It's impossible to stay meaningful in a long thread of comments peppered with disparaging opinions, jokes and endless sidetracks... witness Slashdot, Dailykos, et al. Additionally, many weblogs with forum-style comments are heavily biased. If you post a liberal comment in a neocon weblog you won't even get a second look before you're dog-piled by the locals. I'll spend an hour's time following quality inter-blog conversation across many weblogs linking to each other, but I will rarely waste 15 minutes crawling through the morass of "Me, too!" and "Mine's bigger!" or "Fuck you, Noel!" found in most comment threads just to find the lone gem of wisdom. The cost is too high. In summation: Using top-level posts across multiple weblogs as tools of group conversation is far superior to the minimal interaction afforded by an in-blog comment thread. Forums are more suitable for situations where lots of immediate interaction is a requirement, without concern over signal to noise ratio. Forums may give you immediacy, but immediacy leads to duels. Duels presuppose winners and losers, and that's not a healthy environment for bringing up ideas. I'll take my web debates sans duels, thank you very much. Be assured, I am very interested in what you have to say. I write this weblog because I like to communicate, because I value contact. I prefer my contact to be more direct than the noise-filled channels of a comment thread. This leaves time and mental space for developing working relationships, friendships, and honest human interaction. It allows ideas to grow rather than fade away. An email link is at the top of every page in this journal. I usually have several conversations going by email at any one time, with cycles of ideas refined by all participating. Many conversations begin as emailed comments on my posts here at 2Second(fuse). Version Two of this weblog, due in the new year, will have an email link built into every post. I can often be reached on AIM and iChat via the Screen Name on my LiveJournal info page, as many of you reading this can attest. Best of all, if you post a reply to this in your own weblog, I'll respond to you, continuing the thread here. Photo Booth 11/20/05 03:34 - permalink - email - category: Image BlueDeceiver has some new band members! The guy in the lower left is our saxophonist. Between edits tonight, playing around with an iSight and warp effects in Apple's new Photo Booth application:
The fun part is watching your image change realtime as the warping filters work their magic. Homo Sapiens Felinus 11/15/05 23:47 - permalink - email - category: Vision
Before you go in for the splice, tally up your ancestry. Only 51% plus human genetic code qualifies for full franchise. I'm ready for cat genes, even if it means I may no longer vote. Cats have no need for human votes. They're a law unto themselves. Apples & Oranges 11/4/05 21:05 - permalink - email - category: Exorcism Cesare Marilungo is wondering aloud over methods for financially supporting himself through his art in the Age of Capitalism. Cesare's an amazing musician who would like to make art full-time and still eat. I code whist listening to his works and highly recommend the experience. His music mixes nicely with Eno, Coil, Glass, Radcliffe and other producers of environments you can think within. Money is a tool to easily transfer effort in one form to effort in another. Through your hard work, you've grown a fine crop of apples. You sell these apples at market, converting them to cash theoretically earned by buyers through their own hard work. While you're really rather tired of apples, you love oranges, and could, in fact, eat them all winter long. You have a fistful of dollars from selling your apples, so you stroll over to the the orange lady and say "Give me a cart load of your finest." This cashes you out except for the price of a six-pack of import beer, but you're happy. You've successfully converted your season long toil in the family apple orchard into your favorite citrus fruit. As we've grown in size and age as a society we've roughly standardized the cost relationships of most marketable items. Market forces continually adjust these relationships and give rise to fluctuations in price, bringing a seller a good year or bad. As new innovations change ease of manufacture, relationships between products change. Profit centers shift as the market rolls on. But how do you price art? Art doesn't have a measurable value as commodity. In fact, it's not a commodity at all. Art is an expression of and continuing conversation about our culture. It's a direct representation of what we have been, are now and will be. Even when we commingle art and profit motive, it remains an image of us. This has led directly to Top 40, Britney and the resulting pitiful irrelevance of the RIAA. Much to libertarian dismay, art itself cannot be priced, only the byproducts of its ownership which indirectly impart value to the piece. A collector purchases a painting and gains nothing tangible from the item itself. She can, however, use her prestige in ownership as leverage in the art and social spheres. She can also sell copies of the item to people who would like a reproduction on their wall. If you're an Open Source geek, this should be sounding familiar. Art, like all aspects of culture, is inherently open. It functions more like Creative Commons' Share-Alike license than market capitalism. Whatever boundaries art has are imposed externally and by social agreement, not from anything intrinsic to its structure. Part of the difficulty creatives face in our money-focused era is the linking of self-worth to income. We all "know" it's bullshit to think less of yourself if people don't buy your creation, and we all "know" we can't draw an honest correlation between purchase volume and good art/bad art, but we're surrounded by a world where every man, woman, child, beast and even our genetic coding is monetized. In a social environment where value is equated with price it's difficult to honestly know "you are not your khakis" and hang on to the knowledge. Imagine through some fireworks of political revolution we suddenly do away with money. People will not know how to move on. How will efforts be translated into other efforts? We might witness society overwhelmed as the bulwark of cash is removed with nothing else holding back the tides of ennui. Imagine all the Western nations somehow bereft of the prime motivating force their lives have been built around... "Human sacrifice, dogs and cats living together... mass hysteria!" Rather than think in terms of "staying true" to concepts of open source in the face of rampant capitalism's 800 pound gorilla, instead think of weaning the public off the drug of dollars, dime by dime. We can chip away at the capitalist edifice via the GPL and Creative Commons licenses: give content away and educate people on what it really is, something other than a simple commodity. For surviving the transition period, artists can charge for copies of some of their work in various forms. Authors sell dead tree versions of their freely downloadable books. Musicians keep some mp3s free for download on their sites, while charging for exclusives and instant recordings at live shows. Artists sell large prints of originals through online viewing galleries. In each case our tech enables us to embrace, extend and eventually transcend the corporate marketplace. We use the capitalist urge against itself rather than worming every last cent out of our supporters. In the long term, the public must be convinced of the need for public patronage of the arts. We must transform from consumers into supporters, buyers into patrons. We are all stronger and more secure in our civilization when art in all forms is proudly supported and encouraged. This is the true calling of the 21st century artist. All of culture and the heads it occupies is our canvas. Strap on your best revolutionary recording gear and ready your sound, Cesare. We have a long battle ahead of us. Max Search Engine 11/3/05 17:30 - permalink - email - category: MaxMSPJitter Dan Winckler has created a swanky Max/MSP/Jitter search Engine for Mozilla/Firefox/Netscape browsers. I've kept a site:synthesisters bookmark to Google in my toolbar for easy searching of the Max list archives, but Dan's plugin is the cat's whiskers.
For you Max/MSPing IE users out there... if the fact 2Second(fuse) doesn't render properly in Internet Exploder because Microsoft broke the CSS standard isn't enough, here's yet another reason to make the leap to Firefox. Do it, already! |
the weblog of Vlad Spears Chief Iconoclast - Daevlmakr Media Designing Monsters - vitruvius.livejournal.com reading Emma Bull - War For The Oaks Thomas Jefferson - The Jefferson Bible Baggini & Fosl - The Philosopher's Toolkit listening Beta Two Agonist - Zero Point Field Daevls On FlightDynamics Dankoe, Gorbunov, Zemlyanikeen - Far East Sessions recent Cycling '74 Loves Cats Seemingly Solid Things - Glenn Gibson @ GIVEN drmArm Life In 3d It's Full Of Stars Retracted Landing Gear
category 2Second(fuse) 7 Action 1 Atmos 3 Biome 1 BlueDeceiver 2 Creation 6 Daevlmakr 12 Exorcism 16 Flow 10 Futurism 15 Gear 19 Idea 4 Image 3 Incantation 19 Knowledge 5 Listen 18 LiveMusic 3 Locate 2 Look 3 MaxMSPJitter 16 Politics 16 Quote 1 Read 10 Science 2 SoundDesign 4 Technology 3 Tinderbox 5 Unfälle 2 Vegetarian 3 Vision 2 month 03_02008 02_02008 01_02008 11_02007 10_02007 09_02007 07_02007 06_02007 05_02007 04_02007 03_02007 02_02007 01_02007 12_02006 11_02006 10_02006 09_02006 08_02006 07_02006 06_02006 05_02006 04_02006 03_02006 02_02006 01_02006 12_02005 11_02005 10_02005 09_02005 08_02005 07_02005 06_02005 05_02005 04_02005 weblog bldg.blog Cesare Marilungo Chris O'Shea Christian Fromme Dan Winckler Data Is Nature David Fine Doug Miller Hal Rager Hihiromi hyperTextuality Information Aesthetics Jacob Appelbaum Jaeysin's Xylophone Jeff Vail Jeffrey Radcliffe FlightDynamics Mac Tonnies Maehymn Mark Bernstein Marsha Vdovin Martin Spernau Mediapathic Neomarxisme Onegoodmove Pascal Venier Seth Elalouf Sex In Art Steven R. Livingstone The Nonist Trond Lossius link Better Humans Council for Secular Humanism Creative Commons DailyKos Diesel Sweeties EFF FuturePundit The Heinlein Society HMC MediaLab IFTF Make New Scientist The Panda's Thumb Press Think Questionable Content Rarefaction ScaryGoRound SpaceSuitGroup Scientific American legalese All written material on 2Second(fuse) authored by Vlad Spears is published under the Creative Commons Some Rights Reserved license Attribution - NonCommercial - NoDerivs 2.0 Fight corporate ownership of culture: Create and Disseminate! |
||||||||||||||||