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Between microphone and macrocosm.
Back In Black
11/26/06 02:31 - permalink - email - category: Creation

Ear break time. I'm tweaking and freaking before the mix-down of my contribution to Logickal's upcoming podcast featuring the music of Daevl.Plug users, and it is good to be back in black. The push to get the Daevlmakr business framework and Daevl.Plugs up, running and online required burning the candle at both ends plus the middle, and left little time for making music.

The track I'm working on, Miracles, has Daevl.Plugs on every channel, including some with multiples chained up for transmogrification squared, cubed or quad.

Two Daevl.Plugs shown with Live's default VST interfaces.

This is my first time fully working a track with the Daevl.Plugs, start to finish... and I'm so pleased with what I've wrought. These plug-ins have evolved and refined to such an extent they're now virtually unrecognizable as related to the ragged collection of eccentric Max/MSP patches which formed their foundation.

They turned out better than I realized!


This Tasered Student Could Be You
11/16/06 20:59 - permalink - email - category: Action

At about 11:30pm on Tuesday, November 14th, UCLA student Mostafa Tabatabainejad was repeatedly tasered by several UCPD officers, even after handcuffing. His crime? Not showing a UCLA student ID and not leaving the library fast enough after this failure.

Here's the YouTube video. Be warned: the video is not graphic, but is highly disturbing if you value your freedom and have a healthy disrespect for inappropriate use of authority. Please watch it, then act.

Some things to consider:

1) Tabatabainejad did not attack the officers, other than to raise his voice after they laid hands on him. This is verified by the many, many witnesses in the video, and by the video itself for at least part of the incident's duration.

2) Tabatabainejad was repeatedly tasered, being told to "stand up" after each to avoid more tasering. After multiple taserings, I don't think many of us would be standing very well. In the video, you can see the officers almost lifting him to his feet. Why did they not simply drag him away at that point?

3) These officers created this situation amidst a large body of UCLA students. Students who demanded their badge numbers or questioned their actions were also threatened with tasering. This can be clearly seen and heard in the video. Should some of these students have taken action against these officers, a bad situation could have turned into total tragedy. I expect more of my public servants in handling a situation like this than to whip out tasers and threaten citizens exercising their rights. I expect them not to create situations like this to begin with.

4) For those of you who think that Tabatabainejad may have had it coming: we can't know the totality of the situation from the video alone, although the evidence in the video is fairly damning to the officers, and witness reports say he never threatened anyone. One thing we can see and know is this: Tabatabainejad was no longer any threat to the officers, even if he may have been at the beginning of the encounter. Multiple taserings, especially after handcuffing, were not warranted. If he ever needed to be at all, the student was at this point fully subdued. Even if he had been warned multiple times and was a repeat offender, nothing warranted the treatment he received.

5) I'm going to point out what should be obvious at this point: Mostafa Tabatabainejad is likely of Middle Eastern ancestry.

Assuming he was not racially profiled by xenophobic cops, this student was theoretically tasered repeatedly for failure to show identification and leave a public college library swiftly enough. What if he was only cramming for an exam? What if he didn't think it was that big of a problem to stretch the rule on ID and library time? What if he was just an unruly kid with a chip on his shoulder who made the mistake of verbally bucking authority with cops who should never have been allowed into the UCPD?

This could have been your mother or father, your son or daughter, your brother or sister, your best friend or lover, or me... or you.

This is not what we pay these people to do. They only get away with actions like these when too few of us speak up and hold them accountable.

Please use the contact information below and make your voice heard:

UCPD Chief of Police, Karl T. Ross (310) 825-1633 kross@ucpd.ucla.edu
UCPD Captain, John Adams (310) 825-4406 adamsj@ucpd.ucla.edu
UCLA Campus Police (310) 825-1491
Mr. Naples, Dean of Students (310) 825-3871

UCLA has pulled the Dean of Students' contact page and is bouncing emails to Naples, but you can find contact information for the specific Deans of the UCLA campus colleges, who can bring pressure on the Dean of Students and the larger school administration. For starters, here's the email address of the Dean's Office in UCLA's Law School: studentaffairs@law.ucla.edu

Thanks to grindingbassline for distributing the above contact info.


Bug Hunter
11/11/06 13:00 - permalink - email - category: Biome

Thursday night I used the kitchen table as a work area while finishing up the Balron_40h release to the Monome community.

One of the cats I live with, the intrepid bug hunter Snobe, kept stealthing into the pantry a few feet to my left.

Stalking another dustball, I would think, leaning into the pantry to find him staring at the air. Being a recovering feral, Snobe would quickly scoot out, temporarily fearing for his life.

On the fourth or fifth recurrence there was the sound of a tussle as Snobe was obviously trying to get at something in the closet. Stepping in, Snobe jumping out to hang behind me and peer around my legs, I was rewarded with the sight of the biggest, most interesting cricket-like creature I've ever seen:

My buddy.

Snobe had obviously met his match: that's a US quarter dollar in the pic for size comparison. This not-so-wee beastie measured over 6 centimeters (2.5 inches) including leg span.

I think this Jerusalem Cricket rode into the food shelves with a sack of organic potatoes. We hung out for about an hour while I got a feel for the behaviors of a creature I'd not met before. Native to the Pacific Coast, I'd like to know how it acquired the Jerusalem in its name. While I like the Spanish moniker of niño de la tierra - child of the earth, my favorite of its common names is the old bald-headed man.

After journeying with potatoes, repeatedly fighting off a pocket lion, being rescued then imprisoned by a strange-looking primate, I imagine it was quite relieved to be released into the shrubbery at the edge of the house.

The University of Nevada has an interesting PDF Factsheet on the Jerusalem Cricket available, and there's a great Science Now page on the California Academy of Sciences site.


Balron_40h
11/9/06 23:25 - permalink - email - category: MaxMSPJitter

Balron_40h is a Max/MSP patch I whipped up to interface the Monome 40h with the rest of my MIDI gear and software as a controller instrument.

Balron 40h interface.

The Monome's main limitation as melodic controller is the number of interaction points per row: 8 pads versus the 12 keys we're accustomed to in the Western scale. It makes a great rhythm grid, but you can't squeeze accidentals in where there are no places to press.

Turning lemons into magical drinks is a prime creative activity, so I built Balron_40h to lay a multitude of 8-tone scales over the 8 x 8 grid. A side benefit: because the grid then uses a refined system of notes, everything automagically sounds good!

Utilizing 4 cell-shifting MIDI delays, repeating patterns and transposing chords can be created. The potential for discovering interesting progressions is high. Sending patterns of low notes into a monosynth can create instant acid basslines.

After a few days of using Balron_40h in serious song building, I'm amazed and surprised at what one hand can accomplish with such a densely packed controller: finger spans of over 8 octaves give acrobatic rolls and unexpected melodies from thin air. The tight pad layout imparts abilities closer to a guitar or Chapman stick than keyboard.

Version 1.0 is running well on both MacBook Pro and PowerBook G4 under Max/MSP 4.6.2.

Released, of course, under the QYBL-NC (Question Your Beliefs License - Non-Commercial):

Balron_40h.mxb.zip (228k, single Max/MSP patch version)


Straight Ticket
11/6/06 20:54 - permalink - email - category: Politics

"Take from all of today's industrial nations all their industrial machinery and all their energy-distributing networks, and leave them all their ideologies, all their political leaders, and all their political organizations and careful study shows that within six months, two billion people will die of starvation, having gone through great pain and deprivation along the way.

However, if we leave the industrial countries with their present industrial machinery and their energy-distribution networks and leave them also all the people who have routine jobs operating the industrial machinery and distributing its products, and we take away from all the industrial countries all their ideologies and all the politicians and political party workers and send them off by rocketship to forever orbit the sun -- the result will be that as many world people as now will keep right on eating, possibly getting on a little better than before. This will remove all barriers to completely free world intercourse and thereby permit realization of enough for all."

-R. Buckminster Fuller from the Keynote Address at Vision '65

Usually, I vote after studying positions and reviewing candidates' records, but tomorrow I will vote a straight Democratic ticket. I have voted this way only twice before: the 2000 and 2004 elections.

I fully endorse Bucky's statement above, enticing us with its utopian vision across 4+ decades. So why am I voting straight Democrat? Why am I voting?

The Republicans have buried us under economic and social woes. They have chain-ganged us, red and blue and purple, shackling our collective ankles until we stand just a step away from being unable to move forward at all.

I'm voting straight Dem because until we remove the current crop of Republicans from office, we will never have a social environment conducive to the development of, nor even be able to afford, the spaceship necessary to send all politicians on that one-way journey Fuller describes so perfectly.


Dankoe, Gorbunov, Zemlyanikeen - Far East Sessions
11/3/06 16:48 - permalink - email - category: Listen
Dankoe, Gorbunov, Zemlyanikeen - Far East Sessions

My ideal dwelling, the household where I am most active and alive, is one where when I return to the front door from wherever I have been, I never know what's happening on the other side. Every turn of the knob, every step through the threshold is the start of new adventure. I open the door, and the unknown greets me.

A limited run of 50 beautifully packaged, hand-made, pure white CD-Rs, Far East Sessions by Dankoe, Gorbunov and Zemlyanikeen on Maxim Shubski's excellent Arterija micro-label could be a slice of soundtrack to that household, a collection of environmental recordings of the doings of that house's occupants taken at random from a month's worth of moments.

This is one of your nights in that house, if you were me and I was you:

A child will turn anything at hand into an instrument of free-ranging melody and rhythm. Fragment 1 is the kid in the next room experimenting with mouth harp and DSP, with friends occasionally running in bits of recordings they've brought from around the block.

Paper Beat begins as a gentle amalgamation of guitar, bass, unidentifiable horns and bottleish percussion you find late at night on the experimental station your lover tuned the radio to a month ago. Every time you turn it on, you wonder why you don't listen to this more often. After you realize the entire 5:06 linear progression into gorgeous, processed chaos of this track is perfect, you will.

Zverki i Nasekomiye (renoised) is the sound of your lover's lover playing with radios at 3am, sliding through the floorboards and nicely into your dreams.

Fragment 2 is where you discover that the kid in the next room has discovered how to convolute mouth harp with both beatboxing and didgeridoo. It matches well with dance steps you're learning from an old friend you haven't seen in over a decade, who just happened to drop by unannounced.

Live at Triada Theatre is all the sounds you never notice while you're reading, sleeping, eating, thinking, talking in this house... amplified and made a substantial part of the walls surrounding you, just for you. Yes, the house talks, if you pay attention.

Kto Znaet has your other lover cleansing the house of evil spirits with smudge sticks, incense and wall-kissing. But the spirits aren't evil at all, she's just practicing her witchcraft. In fact, the spirits play along, only in it for the kissing, and continue to give the house this amazing ambient vibe like faerie-folk covering Pink floyd.

Fragment 3 has the kid combining all the previous lessons into a swift, minor symphony. Whose kid is this, anyway? Oh, it's not a kid at all. It's you.

Live at Triada Theatre is the language all the appliances on the electrical grid use late at night, when everyone else in the house is comfortably embraced by absinthe and ember light. The un-stolen guitar you're playing for everyone speaks their tongue and you're deep into unknown conversation.

Fake is you, I mean me, well, both of us, pretending we're listening to intelligent dance music when really we're watching the sunrise.

Dankoe, Gorbunov and Zemlyanikeen hail from Khabarovsk in the Russian Far East. Whatever is going on there, I want some more of it. If you're into electro-acoustic, audio environments or well-done processing, there are very good things happening these days on Arterija.


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